“20,000 Leagues Under the Wine-Dark Sea”
Dr. Emily C. Egan, Assistant Professor of Ancient Eastern Mediterranean Art and Archaeology, Art History and Archaeology at the University of Maryland

February 18, 2025
7:30 p.m. ET
Davidson College
Belk Visual Arts Center 117
Davidson, NC

FREE AND OPEN TO THE PUBLIC

About the lecture:
This lecture takes a deep “dive” into depictions of marine life in the art of Late Bronze Age Greece (ca. 1600–1100 BCE). Amid a survey of sea creatures including octopods, dolphins, and fish, special attention is given to the enigmatic argonaut motif and its appearance in the wall paintings of the Mycenaean ‘Palace of Nestor’ at Pylos. At the time of their discovery, painted argonauts – pelagic cephalopods that grow their own shells – were classed among the site’s purely decorative designs on account of their fanciful coloration and stiff presentation in single-file lines like elements in a modern wallpaper border. New research at the Palace of Nestor, however, suggests that argonauts were not simple ornaments but powerful royal symbols, on par with more fearsome Aegean “totems” like lions and griffins. This lecture presents this new theory and the evidence that underpins it, and also demonstrates how the painted forms of the creatures, when viewed closely, offer rare insight into the thought processes and working methods of Greek Bronze Age artists.

About the speaker:
Dr. Emily C. Egan (Assistant Professor of Ancient Eastern Mediterranean Art and Archaeology, Art History and Archaeology at the University of Maryland) is an Aegean prehistorian and field archaeologist. She holds a dual B.A. in Classics and Old World Archaeology and Art from Brown University, an M.Phil. in Archaeology from the University of Cambridge, and an M.A. and Ph.D. in Classics from the University of Cincinnati. Her research focuses on artistic practice in the Bronze Age Aegean, and particularly on the production, consumption, and iconography of Mycenaean painted surface decoration. She has undertaken archaeological fieldwork in Italy, Turkey, Jordan, Armenia, Cyprus, and most recently in Greece, where she is currently studying wall and floor painting assemblages from the Palace of Nestor at Pylos, and the Petsas House, Mycenae.